By Nathan Vernon Madison
Anti-foreign narratives confirmed a becoming emphasis on ideological, instead of racial or ethnic, differences—and early symptoms of the arrival “multiculturalism”—indicating that natural racism was once no longer the only explanation for nativist rhetoric in renowned literature.
the method of swap in America’s nativist sentiments, so virulent after the 1st international battle, are published by way of the preferred, reasonably cheap escapism of the time, pulp magazines and comedian books.
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Anti-Foreign Imagery in American Pulps and Comic Books, 1920–1960 by Nathan Vernon Madison