By Kameelah L. Martin
Within this cinematic research, Martin unravels how spiritual autonomy affects the id, functionality, and conception of Africana ladies within the American renowned mind's eye. Martin interrogates seventy-five years of yankee movie representations of black ladies engaged in conjure, hoodoo, obeah, or Voodoo to parent what occurs whilst race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies at the black woman physique, because the theoretical lens in which to scrutinize black girl non secular functionality in movie. Martin locations the style of movie in dialog with black feminist/womanist feedback, supplying an interdisciplinary method of movie research.
Positioning the black priestess as one other new release of Patricia Hill Collins’ thought of controlling photos, Martin theorizes even if movie features as a secure house for a racial and gendered embodiment within the functionality of African diasporic faith. drawing close the shut interpreting of 8 signature motion pictures from a black woman spectatorship, Martin works chronologically to precise the trajectory of the black priestess as cinematic motif during the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black girls and illustration via pretty centering black ladies as ritual experts and Black Atlantic spirituality at the silver screen.
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Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema (Black Diasporic Worlds: Origins and Evolutions from New World Slaving) by Kameelah L. Martin
by Kenneth
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