By Philip D. Beidler
Beidler brings again the conflict he knew in chapters on its vocabulary, track, literature, and picture. His catalog of soldier slang unearths how finely a journey of Vietnam may hone one’s feel of absurdity. His survey of the war’s pop hits seems for that means within the soundtrack many veterans nonetheless listen of their heads. Beidler additionally explains how “Viet Pulp” literature approximately snipers, tunnel rats, and different hard-core varieties has dismissed masterpieces like Duong Thu Huong’s Novel with out a Name. Likewise we research why the motion picture The Deer Hunter doesn’t “get it” approximately Vietnam yet why Platoon and We have been Soldiers occasionally approximately do.
As Beidler takes degree of his personal wartime politics and morals, he ponders the divergent careers of such figures as William Calley, the military lieutenant whose identify is synonymous with the civilian bloodbath at My Lai, and an previous good friend, poet John Balaban, a conscientious objector who played replacement responsibility in Vietnam as a schoolteacher and health center worker.
Beidler additionally appears to be like at Vietnam along different conflicts—including the struggle on overseas terrorism. He as soon as was hoping, he says, that Vietnam had fractured our experience of providential future and geopolitical invincibility yet now realizes, with dismay, that these myths are nonetheless with us. “Americans have regularly sought after their apocalypses,” writes Beidler, “and they've got regularly sought after them now.”
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Late Thoughts on an Old War: The Legacy of Vietnam by Philip D. Beidler
by Jason
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